As the daily 10 AM struck, we headed to the
preview room, the room that allows us to watch our films and discuss beyond. We
finally settled as Tara Douglas proceeded to explain that we’ve been exploring
how sand could be used as the medium and that today, we shall explore some
eccentric narrative styles, which allow us to use a certain medium to its
potential extent. And hence, the day opened with a varied
inspiration, provided through some of these wild experimental films:
A Colour Box Len Lye
Available from: https://www.youtube.com/watch?v=BPDWgpabc7U
Synchromy - Norman McLaren
Synchromy - Norman McLaren
Available from: https://www.youtube.com/watch?v=UmSzc8mBJCM
Dots (1940) Norman McLaren
Dots (1940) Norman McLaren
Available from: https://www.youtube.com/watch?v=E3-vsKwQ0Cg
A Phantasy in Colors (1949) Norman McLaren
A Phantasy in Colors (1949) Norman McLaren
Available from: https://www.youtube.com/watch?v=86Wp96uG-N8
Blinkity Blank (1955) Norman McLaren
Available from: https://www.youtube.com/watch?v=q3YeWgUgPHM&index=3&list=PLpHLBf41xLlCugybuoZmiXUyq8nJiMKlk
Blinkity Blank (1955) Norman McLaren
Available from: https://www.youtube.com/watch?v=q3YeWgUgPHM&index=3&list=PLpHLBf41xLlCugybuoZmiXUyq8nJiMKlk
Spheres(1969) Norman McLarenAvailable from: https://www.youtube.com/watch?v=XiBiO66pOqg
Lines vertical (1960) Norman McLaren
Available from: https://www.youtube.com/watch?v=LnbavAYULUU
Free Radicals (1958) Len Lye
Available from: https://www.youtube.com/watch?v=WEEduQMwB3c
Tusalava Len Lye
Tusalava Len Lye
Available from: https://www.youtube.com/watch?v=flJOXMln4C0
When we ended with the screenings, my usual battle of reasoning with the medium again struck me hard. I remember having major discussions with people regarding the same. A friend of mine once told me that the value of a technique or material is only recognized when, in our current state, we are unable to explore our narrative (be it a painting, a symbol or a film) and succeed to realize that the intent can only be satisfactorily conveyed by moving on to the next medium/style/technique or material, through trial and error. This always supports me through the needs and wants of using a style that supports and gels with my narrative just as a building gels with its function, a thin line where as form follows function, function follows form.
After a short tea break around 12 PM, we
settled back in the lab to discuss how we can finally get our project on full
swing today. Groups were divided, the few on sound, the few on animatic, the
few on story boarding and the few to begin animating with sand on the two
provided setups. I, am a part of working on the sound and the background score,
as well as this blog entry. Sound is a very lovely part to work with.
Considering it gives a film at least a 50% of its value, it has to be developed
with as much a thought. How and what sounds are used, and where do are used,
enriches any experience. Being a musician myself, I keep sound in high regard.
Tribal music is interesting, the source of
their sounds make up for the signature of their tribe. We were listening to it
constantly to see how it could be manipulated to be put into the film, giving
it the feel of this Kom tribe story. The rest of the sounds, like the
footsteps, the ambient, the mattered animals, were collected using a free
source on internet. As the animatic without sound took its shape, the sounds
were added on.
Meanwhile, I had been trying to contact a
senior from Manipur, to get more info on the tribal sounds, because internet
only has so much information. He isn’t from the Kom tribe but did promise to
get me in touch with one of his friends. I’m really excited about this.
As the day was coming to an end, I walked
in to the sand animation room to just see how it was going on. A lot of
progress was made, and it was fun to watch, to see sand moving on its own is a delight!
The beauty of sand lies in its shape morphs, and that’s how the narrative had
been developed. It is tough though, sand, to maintain its shape as we proceed
on to animating. It has a very powdery texture that is hard to handle. Oh! And
the joy of being messy! We need a lot of precise tools to control sand, from a
paint brush to a sieve, from just a tiny pinch with fingers to a credit card or
an ear bud.
I’ll just end here exclaiming that the
project finally proceeds on full swing! A late entry hopefully made it worth
the wait.
Cheers!
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